Statues are pieces of history that immortalize heroes and
heroines in mortar, stone, bronze or wood. Their artistic relevance borders
poetry or painting hence more often than not their creators are as famous as
the subjects.
Dictators, monarchs and other self-glorifying leader in
history have been obsessed with erecting their statues in a bid to underline
their reign. Gazing through lifeless eyes from their elevated pedestals, huge
statues cast an overbearing ambiance of dominance and indomitable power.
Statues are usually placed in strategic positions like
street corners, public squares and on top of tall buildings.Being one of the
fastest growing cities in Africa, Nairobi boasts of several landmark statues of
historical significance.
Tom Mboya
Though quiet recent compared to its peers in the city, the
Tom Mboya monument is perhaps one of the most visited most visited statues in
the city, thanks to Gor Mahia Football Club fans.
Multitudes of Kogallo supporters
religiously congregates at the monument after every to pay homage to the former
Kamukunji MP and Minister for Economic Planning and Development who played a
crucial role in the establishment of the team in 1969.
The popular post-independence politician was shot dead a few
meters from where his statue stands on 5th July 1969 along
Government Road, since renamed Moi Avenue.
Sculptured by the self-trained Oshoto Ondula at a record
Sh20 million over a period of three years, the Tom Mboya monument is a piece of
artistic work of bronze standing on a rocky pedestal reminiscent of the Rusinga
Island, the subject’s place of origin.
It was unveiled by Retired President Mwai Kibaki during the
Mashujaa Day in 2011.
“The materiality on stone imitation though a robust move is
quickly brought back into place by the reality that it resides within giants in
the names of the Kenya National Archives, The Norwich Union Building and the
Hilton,” explains architectural expert Billy Mwangi in his site archidatum.com.
“Also at its service are the flamingoes painted pink and numerous vegetation
samples around it that seem to create that soft spoken touch to it”.
Despite being one of the most recent statues to be erected
in the city the Tom Mboya statue have been damaged, thanks to the rowdy
football fans who regularly gather around it. Speaking to The Nairobian, the National Museums of Kenya said that the duty of
maintaining statues lies squarely with the Nairobi City Council.
“The National Museums is the overseer of all monuments
across the country hence if we were to incur the expense of maintain them the
costs would be astronomical,” explains Hosea Wanderi, a research scientist at
the Directorate of Regional Museums Sites and Monuments. “The Museum only
offers technical advice to the city and towns authorities”.
Kimathi Statue.
Standing gallantly with a typical guerilla’s tools of trade
a dagger and a rifle and symbolically guarding a street named after him many
years after his eternal departure, the commissioning of the Dedan Kimathi came
as a great honour to Mau Mau freedom fighters.
Unlike all the other heroes whose statues grace the city’s
landscape today, Kimathi is the only one who died a prisoner and was buried in
a yet-to-found grave.
The statue was unveiled on December 11th, 2006,
the date in which he was executed by the British colonialists 56 years ago in
Kamiti Maximum Security Prison.
“One of the biggest challenges in designing the monument is
the fact that the popular image of Dedan Kimathi emblazoned in t-shirts is very
distorted hence it was very hard to develop the image from,” explains Kevin
Oduor, the Kuona Trust-based artist who designed the statue. “I had to work
from a blurry video of him being taken to court and after the image was
complete his wife Mukami had to come and confirm that indeed it was a true
image of him”.
Oduor, who also designed the Syokimau Statue, says that
although he is glad that the image is part of the city’s down town scenery he
is disappointed that Kenyatta University, the institution that commissioned him
to work on the project, never gave him credit of the work. An artist name is
always scribbled at the base of major works of art as a sign of recognition.
“For these reasons, many people have tried to claim credit
for this piece of work but fortunately I have numerous documents and videos of
the entire process to prove I am the creator”.
Oduor says although he knows the total costing of erecting
the statue he is not ready to reveal the figure since he claims there are
controversies around it, one of them being the fact that he was not paid what
he expected.
The statue was defiled in 2009 when unknown people placed
posters on its pedestal “Dear God, please remove such defilement” that were
meant to denigrate Kimathi’s legacy.
“The statue was supposed to be life size but I realized that
was quiet small given it was to be mounted high so I added one extra foot which
the commissioners didn’t know,” Oduor reveals for the first time.
Jomo Kenyatta
Unveiled in 1973 to mark the country’s tenth independence
anniversary and the opening of the iconic Kenyatta International Conference
Centre (KICC), the imposing statue of Kenya’s first president was designed by
renowned British sculptor James Butler.
The artistic acumen of the Briton is in no doubt since the
12-foot bronze image astonishingly resembles Mzee Jomo Kenyatta up to a facial
birthmark. Seated on a high pedestal at the middle of the KICC court, the
towering figure depicts the grandeur of an aging godfather watching over those
going and coming from the landmark building.
Designed in England, the monument lifted the stature of
James Butler from a simple art teacher to a world renowned sculptor. It was
shipped from England to the port of Mombasa before being towed by a truck to
location.
There is also another statue of Jomo Kenyatta inside the
Parliament compound that was erected in 1964. Unlike the one at KICC where he
is comfortably seated, in parliament Kenyatta is standing.
The fact that both statues were designed in England shows
how dependent the new nation was to its former colonial master.
World War Memorial: The
Forgotten Soldiers
The three bronze men stands tall, their heads held high and
their unseeing eyes focused on the perpetual flow of traffic along Kenyatta
Avenue. Their attire and pose, though static, reminds those keen enough to look
of the era of war heroes and heroine. Beyond the obvious fact that the monument
was erected to honour the fallen heroes of World War One, very little is known
about “The Three Musketeers”.
A sign at the pedestal indicates that the monument “is to
the memory of the native troops who fought: To careers who were the feet and
hands of the army: And to all other men who served and died for their King and
Country in Eastern Africa in the Great War, 1914-1918”.
These statutes were a subjected of a heated debate in
parliament in 1984 when the then local government assistant minister Dr. Njenga
Mungai revealed that the government wanted to remove and their place be taken
by the statue of Dedan Kimathi. Most MPs were of the opinion that the statues
should be uprooted and stored in the National Museum, a suggestion that led to
a national outcry.
“The Kenyatta Avenue Second World War monuments clearly
depict the social, political and economic history of this country and it should
be preserved as a living testimony to our people’s forcible participation in
that ugly war,” editorialized the Daily
Nation.
Retired President Moi laid the matter to rest by ordering
the monument be left in place and those wishing to erect one for Dedan Kimathi
look for another site.
A few weeks later a Mzee Kitiku wa Mukuu from Makueni, a
veteran of both world wars, came out claiming that he was the barefooted gun
bearer with a walking stick.
“Before we left to fight the Germans in Tanzania, we posed
for a picture. I cannot remember the names of the others but the one in the
middle is a Mtende (Kuria) and the third one is a Mnubi (Nubian),” he claimed.
The veteran soldier, known by his Kamba nom de guerre Mukua Ivuti (Gun Bearer) claimed that the trio were
honoured after eliminating a German sniper who had claimed many lives in
Mbuyuni in Taita. An insignia in the right hand corner reads “Myrander SC
1924”, probably the designer and year the monument was made.
Hamilton Fountain: The
“Naked Justice” Boy
This statue of a boy holding a fish and sprinkling water
from its genitalia once caused a fuss when Maendeleo Ya Wanaume Organisation, a
lobby group that claims to advocate for the rights the male citizen, said that
the sculpture was demeaning and abusive to the boy child, and men.
“It does not portray naked justice but instead it portrays
naked injustice,” complained Mr. Nderitu Njoka, Chairman of Maendeleo Ya
Wanaume Organization. “This amounts to child abuse; it is pornography, it is
sexual abuse, immoral and an outright violation of men’s fundamental rights and
freedoms”.
The naked boy holding a fish is supposed to underline the fact
that although justice should be bare and as fearless as a child in the nude
that fact is sometimes elusive or as slippery as a wet fish in the hands.
Although it’s popularly known as The Naked Boy, its official
name is the Hamilton Fountain and it was commissioned in honour of lawyer
Alexander George Hamilton who died in 1937. It’s one of the best maintained
monuments across the city given the fact its fountains have been spewing for
the last seven decades.
Other statues across Nairobi include The Nyayo Monument in
Central Park that was erected to commemorate ten years of Moi administration
and the Galton-Fenzi Memorial or the Nairobi Military Stone. Located at the
junction of Kenyatta Avenue and Koinage Street, the Nairobi Military Stone was erected
in 1939 in memory of Lionel Douglas Galton-Fenzi who founded the AA Kenya in
1919 and pioneered road transport in the country. The monument is also said to
be the focal point from where distances to various parts of the country are
measured.
There are other less known monuments like the Mahatama
Gandhi statue in the University of Nairobi that was unveiled in 1956 and the
Syokimau Monument in honour of Prophetess Syokimau who is said to have foretold
the coming of the railway long ago. Uhuru Gardens 20th Anniversary
Monument was erected in 1983 to commemorate the country’s twentieth year of self-rule.
After Kenya attained independence in 1963 the new government
removed some monuments depicting colonial figureheads, seen as a sign of
reinstating the fact that the country was now free and in charge of its own
destiny.
They include the Lord Delamere along Kenyatta Avenue and
King George V’s that was in Parliament Buildings.
“Ideally, statues that have been removed are supposed to end
up at that National Museum as artifacts after a process of documentation but
unfortunately for those like King George’s that were removed before the
mechanisms were set up, it’s not the case,” Mr. Julius Kiriga, Director of
Development and Corporate Affairs at the National Museums told The Nairobian.
However the Queen Victoria monument in Jivanjee Garden
survived the post-colonial scourge, probably owing to its size and the fact
that it added to the aesthetics of a public park. So elaborate was the
unveiling of this statue in 1906 that the guest of honour was Duke of
Connaught, the first royal visitor to the British East Africa Protectorate.
The East African Standard
immortalized the colourful event by noting that the “profusely decorated”
streets of Nairobi were “thronged with enthusiastic crowds, and lined on either
side by Masai warriors who gave a most picturesque scene”.
But who decides what monuments to build and where?
“It’s usually a committee comprising of members of the
ministry of culture and social services and the office of the president since
such matters usually come up through a presidential recommendation,” explains
Mr. Julius Kiriga, Director of Development and Corporate Affairs at the
National Museums of Kenya. “In the future it will also comprise of National
Heroes Commission which is still in the bill stage subject to approval by
parliament”.
According to the Antiquities and Monuments Acts (Cap.215)
the Ministry of Sports, Culture and Social Services is the one in charge of all
monuments in Kenya but have the authority to delegate the protection and
maintenance to other entities like municipal councils and individuals.
Some of the most popular statues across the world include
The Statue of Liberty in New York City, Nelson Mandela statue in Johannesburg
and Christ the Redeemer in Rio de Janeiro.
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@MwauraSamora